Tamara Kalo (born in Saida, 1994) is an interdisciplinary artist based between Riyadh and Beirut. She was formally trained in architecture at the University of California at Berkeley (2016). She incorporates light- and time-based media such as video, sculpture, performance and alternative photography. Her practice is informed by embodied knowledge and guided by research to investigate narratives that shape home, displacement and collective memory. She seeks to represent the fragility of what lies between a moment in time and place and its memory. She’s interested in witnessing personal and regional landscapes, through site-specificity, fragmentation, glitching and typology.
University of California at Berkeley. BA in Architecture 2016
2024 I want to be happy, I wish to be yellow. Gallery Isabelle; Dubai UAE
2024 TAP Billboard Commission; Beirut, Lebanon
2024 The Nest, Al Riwaq Art Space; Manama, Bahrain
2024 Bait Shouaib Residency; Jeddah, KSA
2024 How To Time Travel, MMAG; Amman, Jordan
2023 An Eternal Witness, Fenaa Alawwal; Riyadh, KSA
2023 Shattered Horizon, TakeOver Beirut; Lebanon
2023 On purpose; Athr Foundation, Diriyah, KSA
2023 Atmospheric; Cairo Citadel, Egypt
2023 Stories from the Present Past; Saida, Lebanon
2023 Sur La Côte, Point Ephémère; Paris, France
2022 Structural Fluidity, Noor Riyadh Light Festival; Riyadh, KSA
2022 Sindbad: Land of Fragile Hearts; Jeddah, KSA
2021 Hayy Jameel Facade; Contours on Collective Consciousness, collaborated commission with Nasser Almulhim, Jeddah, KSA
2021 Fresh Bleach Society; Beirut Balconies, Riyadh, KSA
2021 Diriyah Biennale; performed for This Sea is Mine by Marwah Almugait, Riyadh, KSA
2021 Athr Maan Grant
photo by Fayad Fulani
2022 Sindbad: Land of Fragile Hearts; Jeddah, KSA
2021 Hayy Jameel Facade; Contours on Collective Consciousness, collaborated commission with Nasser Almulhim, Jeddah, KSA
2021 Fresh Bleach Society; Beirut Balconies, Riyadh, KSA
2021 Diriyah Biennale; performed for This Sea is Mine by Marwah Almugait, Riyadh, KSA
2021 Athr Maan Grant
photo by Fayad Fulani